ISRC
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra
Song: Missa solemnis D-Dur, op. 123: IVb. Sanctus: Adagio: Pleni sunt coeli et terra
Last verified:
DEP620100932 is the International Standard Recording Code (ISRC) for the recording “Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra” by Tonhalle-Orchester Zürich, David Zinman, released 2002-02-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
DEP620100932 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra” by Tonhalle-Orchester Zürich, David Zinman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Performers
Label
RCA Red Seal
Appears on
Musical work link not available yet
This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
MLC has no work registered for this ISRC.
DEP620100932 is the International Standard Recording Code (ISRC) for the recording “Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, op. 123: IVb. Sanctus. Pleni sunt coeli et terra” by Tonhalle-Orchester Zürich, David Zinman, released 2002-02-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.