ISRC
Lady Macbeth of Mtsensk District, op. 29: Act II, Scene 4: Proščáy, Kátya, proščáy! ... Stoy! Gde bïl? ... Smotrí, Katerína, zanyátnoye zrélišče
Song: Lady Macbeth of the Mtsensk District: Act II, Scene IV: The Yard
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DEN962435512 is the International Standard Recording Code (ISRC) for the recording “Lady Macbeth of Mtsensk District, op. 29: Act II, Scene 4: Proščáy, Kátya, proščáy! ... Stoy! Gde bïl? ... Smotrí, Katerína, zanyátnoye zrélišče” by Brenden Gunnell, Günther Groissböck, Kristine Opolais, Alexander Kravets, Brandon Cedel, Tanglewood Festival Chorus, Boston Symphony Orchestra, Andris Nelsons, released 2025-03-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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DEN962435512 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Lady Macbeth of Mtsensk District, op. 29: Act II, Scene 4: Proščáy, Kátya, proščáy! ... Stoy! Gde bïl? ... Smotrí, Katerína, zanyátnoye zrélišče” by Brenden Gunnell, Günther Groissböck, Kristine Opolais, Alexander Kravets, Brandon Cedel, Tanglewood Festival Chorus, Boston Symphony Orchestra, Andris Nelsons. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Tanglewood Festival Chorus, Boston Pops Orchestra, Keith Lockhart
USBC19801364Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa
USSM19402268DEN962435512 is the International Standard Recording Code (ISRC) for the recording “Lady Macbeth of Mtsensk District, op. 29: Act II, Scene 4: Proščáy, Kátya, proščáy! ... Stoy! Gde bïl? ... Smotrí, Katerína, zanyátnoye zrélišče” by Brenden Gunnell, Günther Groissböck, Kristine Opolais, Alexander Kravets, Brandon Cedel, Tanglewood Festival Chorus, Boston Symphony Orchestra, Andris Nelsons, released 2025-03-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
