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Adriana Mater, Act II Tableau 5: Rages: Dis‐nous, Refka album cover

ISRC

DEN962435422

Adriana Mater, Act II Tableau 5: Rages: Dis‐nous, Refka

Song: Adriana Mater: Acte II

Fleur BarronAxelle FanyoNicholas PhanSan Francisco SymphonyEsa-Pekka Salonen

Last verified:

DEN962435422 is the International Standard Recording Code (ISRC) for the recording "Adriana Mater, Act II Tableau 5: Rages: Dis‐nous, Refka" by Fleur Barron, Axelle Fanyo, Nicholas Phan, San Francisco Symphony, Esa-Pekka Salonen. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
24Year (2024)
35422Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Adriana Mater, Act II Tableau 5: Rages: Dis‐nous, Refka" by Fleur Barron?
The ISRC for "Adriana Mater, Act II Tableau 5: Rages: Dis‐nous, Refka" by Fleur Barron, Axelle Fanyo, Nicholas Phan, San Francisco Symphony, Esa-Pekka Salonen is DEN962435422.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN962435422?

DEN962435422 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Adriana Mater, Act II Tableau 5: Rages: Dis‐nous, Refka" by Fleur Barron, Axelle Fanyo, Nicholas Phan, San Francisco Symphony, Esa-Pekka Salonen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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