Furioso Galopp, Op. 114 (Adapt. for Violin and Orchestra) album cover

ISRC

DEN961903910

Furioso Galopp, Op. 114 (Adapt. for Violin and Orchestra)

Song: Furioso-Galopp, op. 114

Lisa BatiashviliRundfunk-Sinfonieorchester BerlinNikoloz Rachveli
Released 2020-06-12

Last verified:

DEN961903910 is the International Standard Recording Code (ISRC) for the recording “Furioso Galopp, Op. 114 (Adapt. for Violin and Orchestra) by Lisa Batiashvili, Rundfunk-Sinfonieorchester Berlin, Nikoloz Rachveli, released 2020-06-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
19Year (2019)
03910Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Furioso Galopp, Op. 114 (Adapt. for Violin and Orchestra)" by Lisa Batiashvili?
The ISRC for "Furioso Galopp, Op. 114 (Adapt. for Violin and Orchestra)" by Lisa Batiashvili, Rundfunk-Sinfonieorchester Berlin, Nikoloz Rachveli is DEN961903910.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN961903910?

DEN961903910 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Furioso Galopp, Op. 114 (Adapt. for Violin and Orchestra) by Lisa Batiashvili, Rundfunk-Sinfonieorchester Berlin, Nikoloz Rachveli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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