Partita for Violin Solo No. 2 in D Minor, BWV 1004 (Arr. for Mandolin by Avi Avital): 4. Gigue album cover

ISRC

DEN961831044

Partita for Violin Solo No. 2 in D Minor, BWV 1004 (Arr. for Mandolin by Avi Avital): 4. Gigue2

Song: PUBLIC DOMAIN TRACK

Avi Avital
matched
Released 2019-03-01

Last verified:

DEN961831044 is the International Standard Recording Code (ISRC) for the recording “Partita for Violin Solo No. 2 in D Minor, BWV 1004 (Arr. for Mandolin by Avi Avital): 4. Gigue by Avi Avital, released 2019-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
18Year (2018)
31044Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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MLC Song Code

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What is the ISRC for "Partita for Violin Solo No. 2 in D Minor, BWV 1004 (Arr. for Mandolin by Avi Avital): 4. Gigue" by Avi Avital?
The ISRC for "Partita for Violin Solo No. 2 in D Minor, BWV 1004 (Arr. for Mandolin by Avi Avital): 4. Gigue" by Avi Avital is DEN961831044.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN961831044?

DEN961831044 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Partita for Violin Solo No. 2 in D Minor, BWV 1004 (Arr. for Mandolin by Avi Avital): 4. Gigue by Avi Avital. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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