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ISRC

DEN960331307

Le Comte Ory : Acte I. « Veiller sans cesse »

Song: Le Comte Ory : Acte I. « Je ne puis plus longtemps voyager de la sorte » (Le Gouverneur, Isolier) – No. 2. Air « Veiller sans cesse » (Le Gouverneur)

Alastair MilesOrchestra del Teatro Comunale di BolognaJesús López Cobos
Released 2004-07-15

Last verified:

DEN960331307 is the International Standard Recording Code (ISRC) for the recording "Le Comte Ory : Acte I. « Veiller sans cesse »" by Alastair Miles, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos, released 2004-07-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
03Year (2003)
31307Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le Comte Ory : Acte I. « Veiller sans cesse »" by Alastair Miles?
The ISRC for "Le Comte Ory : Acte I. « Veiller sans cesse »" by Alastair Miles, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos is DEN960331307.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960331307?

DEN960331307 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Comte Ory : Acte I. « Veiller sans cesse »" by Alastair Miles, Orchestra del Teatro Comunale di Bologna, Jesús López Cobos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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