ISRC
Song: Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 44. Coro e Duetto “Ritorni omai nel nostro core” – “Un bel contento il sen già si prepara” (Egyptians, Cleopatra, Cesare)
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One ISRC for “Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio)” by Magdalena Kožená is DEN960231583. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 2003-08-12.
DEN960231583 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio)” by Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Monteverdi Choir, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
DEF058630512Anne Sofie von Otter, Willard White, Hans Peter Blochwitz, Barbara Bonney, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
NLA508542009Ana Maria Labin, Les Musiciens du Louvre, Marc Minkowski
NLE421900811Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
DEF059030135One ISRC for “Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio)” by Magdalena Kožená is DEN960231583. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 2003-08-12.
