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ISRC

DEN960201084

Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide

Song: Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide

Hilary SummersEnsemble intercontemporainPierre Boulez
Released 2005-01-01

Last verified:

DEN960201084 is the International Standard Recording Code (ISRC) for the recording "Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide" by Hilary Summers, Ensemble intercontemporain, Pierre Boulez, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
N96Registrant
02Year (2002)
01084Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide" by Hilary Summers?
The ISRC for "Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide" by Hilary Summers, Ensemble intercontemporain, Pierre Boulez is DEN960201084.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEN960201084?

DEN960201084 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide" by Hilary Summers, Ensemble intercontemporain, Pierre Boulez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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