Call It Like I See It album cover

ISRC

DEG930950077

Call It Like I See It2

Song: "I REALLY LIKE IT (SAMPLES: ""I LIKE IT"" AND ""POPCORN LOVE"")"

Chace InfiniteKrondon
matched
Released 2009-06-22

Last verified:

DEG930950077 is the International Standard Recording Code (ISRC) for the recording “Call It Like I See It by Chace Infinite, Krondon, released 2009-06-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ELDRA P DE BARGE, MICHAEL JONZUN, STASON S BETHA, and others.

Format

DECountry
G93Registrant
09Year (2009)
50077Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCall It Like I See It

People also ask

What is the ISRC for "Call It Like I See It" by Chace Infinite?
The ISRC for "Call It Like I See It" by Chace Infinite, Krondon is DEG930950077.
Who wrote "Call It Like I See It"?
"Call It Like I See It" was written by ELDRA P DE BARGE, MICHAEL JONZUN, STASON S BETHA, ETTERLENE JORDAN, MAURICE STARR, PIERRE JONES, WILLIAM RANDALL DE BARGE, MASON BETHA, MICHAEL S FOSTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEG930950077?

DEG930950077 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Call It Like I See It by Chace Infinite, Krondon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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