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ISRC

DEF059831513

Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour »

Song: Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour » (Vénus)

Magdalena KoženáLes Musiciens du LouvreMarc Minkowski
Released 2000-03-01

Last verified:

DEF059831513 is the International Standard Recording Code (ISRC) for the recording "Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour »" by Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski, released 2000-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
98Year (1998)
31513Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour »" by Magdalena Kožená?
The ISRC for "Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour »" by Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski is DEF059831513.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059831513?

DEF059831513 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Dardanus, RCT 35 : Prologue, Scène 2. « L’Amour, le seul Amour »" by Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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