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ISRC

DEF059530404

Don Quixote, op. 35: Variation II. Kriegerisch

Song: Don Quixote, op. 35: Variation II: The Battle With the Sheep

Raymond GniewekJerry GrossmanMichael OuzounianMetropolitan Opera OrchestraJames Levine
Released 1996-01-01

Last verified:

DEF059530404 is the International Standard Recording Code (ISRC) for the recording "Don Quixote, op. 35: Variation II. Kriegerisch" by Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
95Year (1995)
30404Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Don Quixote, op. 35: Variation II. Kriegerisch" by Raymond Gniewek?
The ISRC for "Don Quixote, op. 35: Variation II. Kriegerisch" by Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine is DEF059530404.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059530404?

DEF059530404 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don Quixote, op. 35: Variation II. Kriegerisch" by Raymond Gniewek, Jerry Grossman, Michael Ouzounian, Metropolitan Opera Orchestra, James Levine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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