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ISRC

DEF059503080

Les Contes d’Hoffmann: “Allez!…Pour te livrer combat… Scintille, diamant”

Song: Les Contes d'Hoffmann : Acte IV. Chanson «Scintille, diamant » (Dapertutto)

Bryn TerfelMetropolitan Opera OrchestraJames Levine
Released 2000-01-01

Last verified:

DEF059503080 is the International Standard Recording Code (ISRC) for the recording "Les Contes d’Hoffmann: “Allez!…Pour te livrer combat… Scintille, diamant”" by Bryn Terfel, Metropolitan Opera Orchestra, James Levine, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
95Year (1995)
03080Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Les Contes d’Hoffmann: “Allez!…Pour te livrer combat… Scintille, diamant”" by Bryn Terfel?
The ISRC for "Les Contes d’Hoffmann: “Allez!…Pour te livrer combat… Scintille, diamant”" by Bryn Terfel, Metropolitan Opera Orchestra, James Levine is DEF059503080.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF059503080?

DEF059503080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Les Contes d’Hoffmann: “Allez!…Pour te livrer combat… Scintille, diamant”" by Bryn Terfel, Metropolitan Opera Orchestra, James Levine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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