ISRC
Lulu: III. Akt, Erste Szene. Cadenz: (Rodrigo wird vom Marquis in den Saal gepufft.) »Behandeln sie mich doch wenigstens anständig« (Rodrigo, Marquis, Lulu)
Song: Lulu: Act 3. "Behandeln sie mich doch wenigstens anständig"
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DEF057930928 is the International Standard Recording Code (ISRC) for the recording “Lulu: III. Akt, Erste Szene. Cadenz: (Rodrigo wird vom Marquis in den Saal gepufft.) »Behandeln sie mich doch wenigstens anständig« (Rodrigo, Marquis, Lulu)” by Gerd Nienstedt, Helmut Pampuch, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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DEF057930928 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Lulu: III. Akt, Erste Szene. Cadenz: (Rodrigo wird vom Marquis in den Saal gepufft.) »Behandeln sie mich doch wenigstens anständig« (Rodrigo, Marquis, Lulu)” by Gerd Nienstedt, Helmut Pampuch, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Abraham Kaplan, New York Philharmonic, Pierre Boulez
USSM17500491Gerd Nienstedt, Kenneth Riegel, Hanna Schwarz, Orchestre de l’Opéra de Paris, Pierre Boulez
DEF057930921Philippe Entremont, The Cleveland Orchestra, Pierre Boulez
USSM17000603Toni Blankenheim, Yvonne Minton, Orchestre de l’Opéra de Paris, Pierre Boulez
DEF057930935DEF057930928 is the International Standard Recording Code (ISRC) for the recording “Lulu: III. Akt, Erste Szene. Cadenz: (Rodrigo wird vom Marquis in den Saal gepufft.) »Behandeln sie mich doch wenigstens anständig« (Rodrigo, Marquis, Lulu)” by Gerd Nienstedt, Helmut Pampuch, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
