ISRC
Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)2
Song: CARMEN
Last verified:
DEF057730140 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)” by Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Teresa Berganza, Plácido Domingo, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado, released 1978-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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DEF057730140 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)” by Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Teresa Berganza, Plácido Domingo, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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DEF057730140 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte I. « Voyons, brigadier… » (Zuniga, Don José, Carmen) / Nº 8. Chanson et Mélodrame « Tra la la la… » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)” by Patrick Criswell, John McCarthy, Ambrosian Singers, Richard Amner, Teresa Berganza, Plácido Domingo, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado, released 1978-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
