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ISRC

DEF057430331

Messiah, HWV 56: Part II. Recitative acc.: "Die Schmach bricht ihm das Herz"

Song: Der Messias, K. 572: Teil II, Nr. 23a. Recitativo strumentato: “Die Schmach bricht ihm sein Herz”

ORF-SinfonieorchesterCharles Mackerras
Released 1990-04-28

Last verified:

DEF057430331 is the International Standard Recording Code (ISRC) for the recording "Messiah, HWV 56: Part II. Recitative acc.: "Die Schmach bricht ihm das Herz"" by ORF-Sinfonieorchester, Charles Mackerras, released 1990-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
74Year (1974)
30331Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Messiah, HWV 56: Part II. Recitative acc.: "Die Schmach bricht ihm das Herz"" by ORF-Sinfonieorchester?
The ISRC for "Messiah, HWV 56: Part II. Recitative acc.: "Die Schmach bricht ihm das Herz"" by ORF-Sinfonieorchester, Charles Mackerras is DEF057430331.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057430331?

DEF057430331 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messiah, HWV 56: Part II. Recitative acc.: "Die Schmach bricht ihm das Herz"" by ORF-Sinfonieorchester, Charles Mackerras. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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