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ISRC

DEF057403680

Eichendorff-Lieder: No. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"

Song: Eichendorff-Lieder: Nr. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"

Dietrich Fischer-DieskauDaniel Barenboim
Released 1995-05-02

Last verified:

DEF057403680 is the International Standard Recording Code (ISRC) for the recording "Eichendorff-Lieder: No. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"" by Dietrich Fischer-Dieskau, Daniel Barenboim, released 1995-05-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
74Year (1974)
03680Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Eichendorff-Lieder: No. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"" by Dietrich Fischer-Dieskau?
The ISRC for "Eichendorff-Lieder: No. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"" by Dietrich Fischer-Dieskau, Daniel Barenboim is DEF057403680.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057403680?

DEF057403680 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Eichendorff-Lieder: No. 9. Der Schreckenberger "Aufs Wohlsein meiner Dame"" by Dietrich Fischer-Dieskau, Daniel Barenboim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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