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ISRC

DEF057402653

Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento

Song: Sonata for Piano and Violin no. 3 in D minor, op. 108: III. Un poco presto e con sentimento

Pinchas ZukermanDaniel Barenboim
Released 1985-01-01

Last verified:

DEF057402653 is the International Standard Recording Code (ISRC) for the recording "Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento" by Pinchas Zukerman, Daniel Barenboim, released 1985-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
74Year (1974)
02653Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento" by Pinchas Zukerman?
The ISRC for "Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento" by Pinchas Zukerman, Daniel Barenboim is DEF057402653.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057402653?

DEF057402653 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento" by Pinchas Zukerman, Daniel Barenboim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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