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ISRC

DEF057330320

Die Entführung aus dem Serail: Geh nur, verwünschter Kerl

Song: Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte)

Kurt HachlickiHans-Jörn WeberStaatskapelle DresdenKarl Böhm
Released 1988-01-01

Last verified:

DEF057330320 is the International Standard Recording Code (ISRC) for the recording "Die Entführung aus dem Serail: Geh nur, verwünschter Kerl" by Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
73Year (1973)
30320Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1973):
Last two digits of the reference year (1973). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die Entführung aus dem Serail: Geh nur, verwünschter Kerl" by Kurt Hachlicki?
The ISRC for "Die Entführung aus dem Serail: Geh nur, verwünschter Kerl" by Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm is DEF057330320.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057330320?

DEF057330320 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Entführung aus dem Serail: Geh nur, verwünschter Kerl" by Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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