ISRC
La Cenerentola: Atto I. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)
Song: La Cenerentola: Atto I, scena 1. Coro “Scegli la sposa” / Cavatina “Come un’ape ne’giorni d’aprile” (Coro, Dandini, Clorinda, Tisbe, Magnifico, Ramiro)
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DEF057130404 is the International Standard Recording Code (ISRC) for the recording “La Cenerentola: Atto I. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)” by Luigi Alva, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Laura Zannini, London Symphony Orchestra, Claudio Abbado, released 2006-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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DEF057130404 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La Cenerentola: Atto I. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)” by Luigi Alva, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Laura Zannini, London Symphony Orchestra, Claudio Abbado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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David Garrison, Thomas Hampson, Kurt Ollmann, London Symphony Orchestra, Michael Tilson Thomas
DEF059230404János Starker, London Symphony Orchestra, Stanisław Skrowaczewski
NLA506201318DEF057130404 is the International Standard Recording Code (ISRC) for the recording “La Cenerentola: Atto I. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)” by Luigi Alva, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Laura Zannini, London Symphony Orchestra, Claudio Abbado, released 2006-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
