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Siegfried: Aufzug I, Szene III. „Verfluchtes Licht!“ (Mime, Siegfried) album cover

ISRC

DEF056830018

Siegfried: Aufzug I, Szene III. „Verfluchtes Licht!“ (Mime, Siegfried)

Song: Siegfried, WWV 86C: Akt I, Scene III "Verfluchtes Licht!"

Berliner PhilharmonikerHerbert von Karajan
Released 1985-01-01

Last verified:

DEF056830018 is the International Standard Recording Code (ISRC) for the recording “Siegfried: Aufzug I, Szene III. „Verfluchtes Licht!“ (Mime, Siegfried)” by Berliner Philharmoniker, Herbert von Karajan, released 1985-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
68Year (1968)
30018Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Siegfried: Aufzug I, Szene III. „Verfluchtes Licht!“ (Mime, Siegfried)" by Berliner Philharmoniker?
The ISRC for "Siegfried: Aufzug I, Szene III. „Verfluchtes Licht!“ (Mime, Siegfried)" by Berliner Philharmoniker, Herbert von Karajan is DEF056830018.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056830018?

DEF056830018 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Siegfried: Aufzug I, Szene III. „Verfluchtes Licht!“ (Mime, Siegfried)” by Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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