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Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile album cover

ISRC

DEF056804803

Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile

Franco Evangelisti
Released 2023-08-18

Last verified:

DEF056804803 is the International Standard Recording Code (ISRC) for the recording “Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile” by Franco Evangelisti, released 2023-08-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
68Year (1968)
04803Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile" by Franco Evangelisti?
The ISRC for "Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile" by Franco Evangelisti is DEF056804803.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056804803?

DEF056804803 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile” by Franco Evangelisti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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