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ISRC

DEF056630005

Die Walküre: „Der Männer Sippe sass hier im Saal“ (Sieglinde, Siegmund)

Song: Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“

Berliner PhilharmonikerHerbert von Karajan
Released 2000-01-01

Last verified:

DEF056630005 is the International Standard Recording Code (ISRC) for the recording "Die Walküre: „Der Männer Sippe sass hier im Saal“ (Sieglinde, Siegmund)" by Berliner Philharmoniker, Herbert von Karajan, released 2000-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
66Year (1966)
30005Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1966):
Last two digits of the reference year (1966). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Die Walküre: „Der Männer Sippe sass hier im Saal“ (Sieglinde, Siegmund)" by Berliner Philharmoniker?
The ISRC for "Die Walküre: „Der Männer Sippe sass hier im Saal“ (Sieglinde, Siegmund)" by Berliner Philharmoniker, Herbert von Karajan is DEF056630005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056630005?

DEF056630005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Walküre: „Der Männer Sippe sass hier im Saal“ (Sieglinde, Siegmund)" by Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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