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ISRC

DEF056533608

Serse: Act 1: Quel canto a un bel amor

Song: Serse, HWV 40: Atto I. Recitativo “Quel canto a un bel amor” (Serse, Arsemene)

Maureen ForresterMaureen LehaneMartin IseppORF Radio-Symphonieorchester WienBrian Priestman

Last verified:

DEF056533608 is the International Standard Recording Code (ISRC) for the recording "Serse: Act 1: Quel canto a un bel amor" by Maureen Forrester, Maureen Lehane, Martin Isepp, ORF Radio-Symphonieorchester Wien, Brian Priestman. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
65Year (1965)
33608Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Serse: Act 1: Quel canto a un bel amor" by Maureen Forrester?
The ISRC for "Serse: Act 1: Quel canto a un bel amor" by Maureen Forrester, Maureen Lehane, Martin Isepp, ORF Radio-Symphonieorchester Wien, Brian Priestman is DEF056533608.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056533608?

DEF056533608 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Serse: Act 1: Quel canto a un bel amor" by Maureen Forrester, Maureen Lehane, Martin Isepp, ORF Radio-Symphonieorchester Wien, Brian Priestman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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