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ISRC

DEF056300314

Monologe aus Jedermann, No. 4: So wollt ich ganz zernichtet sein

Song: Sechs Monologe aus Jedermann: IV. So wollt ich ganz vernichtet sein

Dietrich Fischer-DieskauBerliner PhilharmonikerFrank Martin
Released 2022-10-28

Last verified:

DEF056300314 is the International Standard Recording Code (ISRC) for the recording "Monologe aus Jedermann, No. 4: So wollt ich ganz zernichtet sein" by Dietrich Fischer-Dieskau, Berliner Philharmoniker, Frank Martin, released 2022-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
63Year (1963)
00314Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1963):
Last two digits of the reference year (1963). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Monologe aus Jedermann, No. 4: So wollt ich ganz zernichtet sein" by Dietrich Fischer-Dieskau?
The ISRC for "Monologe aus Jedermann, No. 4: So wollt ich ganz zernichtet sein" by Dietrich Fischer-Dieskau, Berliner Philharmoniker, Frank Martin is DEF056300314.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056300314?

DEF056300314 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Monologe aus Jedermann, No. 4: So wollt ich ganz zernichtet sein" by Dietrich Fischer-Dieskau, Berliner Philharmoniker, Frank Martin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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