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ISRC

DEF055830357

Matthäus-Passion, BWV 244: Teil II: Und er warf die Solberlinge in den Tempel

Song: Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II)

Ernst HaefligerKarl Richter
Released 1991-12-01

Last verified:

DEF055830357 is the International Standard Recording Code (ISRC) for the recording "Matthäus-Passion, BWV 244: Teil II: Und er warf die Solberlinge in den Tempel" by Ernst Haefliger, Karl Richter, released 1991-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
58Year (1958)
30357Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1958):
Last two digits of the reference year (1958). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Matthäus-Passion, BWV 244: Teil II: Und er warf die Solberlinge in den Tempel" by Ernst Haefliger?
The ISRC for "Matthäus-Passion, BWV 244: Teil II: Und er warf die Solberlinge in den Tempel" by Ernst Haefliger, Karl Richter is DEF055830357.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055830357?

DEF055830357 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Matthäus-Passion, BWV 244: Teil II: Und er warf die Solberlinge in den Tempel" by Ernst Haefliger, Karl Richter. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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