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ISRC

DEF055830324

Matthäus-Passion, BWV 244: Teil I: Er sprach: Gehet hin in die Stadt

Song: Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista)

Ernst HaefligerMünchener Bach-ChorKarl Richter
Released 1991-12-01

Last verified:

DEF055830324 is the International Standard Recording Code (ISRC) for the recording "Matthäus-Passion, BWV 244: Teil I: Er sprach: Gehet hin in die Stadt" by Ernst Haefliger, Münchener Bach-Chor, Karl Richter, released 1991-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
58Year (1958)
30324Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1958):
Last two digits of the reference year (1958). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Matthäus-Passion, BWV 244: Teil I: Er sprach: Gehet hin in die Stadt" by Ernst Haefliger?
The ISRC for "Matthäus-Passion, BWV 244: Teil I: Er sprach: Gehet hin in die Stadt" by Ernst Haefliger, Münchener Bach-Chor, Karl Richter is DEF055830324.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055830324?

DEF055830324 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Matthäus-Passion, BWV 244: Teil I: Er sprach: Gehet hin in die Stadt" by Ernst Haefliger, Münchener Bach-Chor, Karl Richter. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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