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ISRC

DEF055730408

Die schöne Magelone, op. 33: 8. Wir müssen uns trennen, geliebtes Saitenspiel

Song: Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 8. Wir müssen uns trennen, geliebtes Saitenspiel

Dietrich Fischer-DieskauJörg Demus
Released 2022-10-28

Last verified:

DEF055730408 is the International Standard Recording Code (ISRC) for the recording "Die schöne Magelone, op. 33: 8. Wir müssen uns trennen, geliebtes Saitenspiel" by Dietrich Fischer-Dieskau, Jörg Demus, released 2022-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
57Year (1957)
30408Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1957):
Last two digits of the reference year (1957). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die schöne Magelone, op. 33: 8. Wir müssen uns trennen, geliebtes Saitenspiel" by Dietrich Fischer-Dieskau?
The ISRC for "Die schöne Magelone, op. 33: 8. Wir müssen uns trennen, geliebtes Saitenspiel" by Dietrich Fischer-Dieskau, Jörg Demus is DEF055730408.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055730408?

DEF055730408 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die schöne Magelone, op. 33: 8. Wir müssen uns trennen, geliebtes Saitenspiel" by Dietrich Fischer-Dieskau, Jörg Demus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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