ISRC
Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu
Song: Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus)
Last verified:
DEF055290308 is the International Standard Recording Code (ISRC) for the recording “Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu” by Hermann Schey, Gunthild Weber, Berliner Philharmoniker, Fritz Lehmann, released 2013-04-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
DEF055290308 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu” by Hermann Schey, Gunthild Weber, Berliner Philharmoniker, Fritz Lehmann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Thomas Brandis, Emil Maas, Ottomar Borwitzky, Edith Picht-Axenfeld, Horst Goebel, Berliner Philharmoniker, Herbert von Karajan
DEF056802394Berliner Philharmoniker, Herbert von Karajan
DEF057200859Berliner Philharmoniker, Thomas Brandis, Karl Böhm
DEF057200952DEF055290308 is the International Standard Recording Code (ISRC) for the recording “Cantata for the 3rd Sunday after Trinity, BWV 21 "Ich hatte viel Bekümmernis": 8. Duet (Soprano and Bass): Komm, mein Jesu” by Hermann Schey, Gunthild Weber, Berliner Philharmoniker, Fritz Lehmann, released 2013-04-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
