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Miroirs, M. 43: V. La vallée des cloches album cover

ISRC

DEE861600901

Miroirs, M. 43: V. La vallée des cloches2

Song: MIROIRS, M.43: V. LA VALLEE DES CLOCHES. TRES LENT (C-SHARP

Alexander Krichel
matched
Released 2017-02-03

Last verified:

DEE861600901 is the International Standard Recording Code (ISRC) for the recording “Miroirs, M. 43: V. La vallée des cloches” by Alexander Krichel, released 2017-02-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TOM CONNELL.

Format

DECountry
E86Registrant
16Year (2016)
00901Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMiroirs, M. 43: V. La vallée des cloches
IPITOM CONNELL

People also ask

What is the ISRC for "Miroirs, M. 43: V. La vallée des cloches" by Alexander Krichel?
The ISRC for "Miroirs, M. 43: V. La vallée des cloches" by Alexander Krichel is DEE861600901.
Who wrote "Miroirs, M. 43: V. La vallée des cloches"?
"Miroirs, M. 43: V. La vallée des cloches" was written by TOM CONNELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEE861600901?

DEE861600901 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Miroirs, M. 43: V. La vallée des cloches” by Alexander Krichel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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