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Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore album cover

ISRC

DEE476800076

Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore

Song: Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore"

Elly AmelingCollegium AureumFranzjosef Maier
Released 1990-01-01

Last verified:

DEE476800076 is the International Standard Recording Code (ISRC) for the recording "Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore" by Elly Ameling, Collegium Aureum, Franzjosef Maier, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
E47Registrant
68Year (1968)
00076Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore" by Elly Ameling?
The ISRC for "Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore" by Elly Ameling, Collegium Aureum, Franzjosef Maier is DEE476800076.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEE476800076?

DEE476800076 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Kantate "Non sà che sia dolore", BWV 209: Parti pur col dolore" by Elly Ameling, Collegium Aureum, Franzjosef Maier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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