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ISRC

DEDS52136603

Concerto for Bandoneon and Chamber Orchestra “Buenos Aires-Berlin”: III. Tango Scherzo. Finale

Omar MassaBerliner SymphonikerMark Laycock
Released 2021-09-17

Last verified:

DEDS52136603 is the International Standard Recording Code (ISRC) for the recording "Concerto for Bandoneon and Chamber Orchestra “Buenos Aires-Berlin”: III. Tango Scherzo. Finale" by Omar Massa, Berliner Symphoniker, Mark Laycock, released 2021-09-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
DS5Registrant
21Year (2021)
36603Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Bandoneon and Chamber Orchestra “Buenos Aires-Berlin”: III. Tango Scherzo. Finale" by Omar Massa?
The ISRC for "Concerto for Bandoneon and Chamber Orchestra “Buenos Aires-Berlin”: III. Tango Scherzo. Finale" by Omar Massa, Berliner Symphoniker, Mark Laycock is DEDS52136603.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEDS52136603?

DEDS52136603 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Bandoneon and Chamber Orchestra “Buenos Aires-Berlin”: III. Tango Scherzo. Finale" by Omar Massa, Berliner Symphoniker, Mark Laycock. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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