ISRC

DEDS51320206

Much Ado About Nothing, Suite, op. 11: Holzapfel und Schlehwein

Song: Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march

Orsolya KorcsolánEmese Mali
unmatchedNot yet matched in the MLC database
Released 2014-01-07

Last verified:

DEDS51320206 is the International Standard Recording Code (ISRC) for the recording "Much Ado About Nothing, Suite, op. 11: Holzapfel und Schlehwein" by Orsolya Korcsolán, Emese Mali, released 2014-01-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
DS5Registrant
13Year (2013)
20206Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

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People also ask

What is the ISRC for "Much Ado About Nothing, Suite, op. 11: Holzapfel und Schlehwein" by Orsolya Korcsolán?
The ISRC for "Much Ado About Nothing, Suite, op. 11: Holzapfel und Schlehwein" by Orsolya Korcsolán, Emese Mali is DEDS51320206.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEDS51320206?

DEDS51320206 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Much Ado About Nothing, Suite, op. 11: Holzapfel und Schlehwein" by Orsolya Korcsolán, Emese Mali. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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