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ISRC

DEBL61373189

LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)

Song: LOVE THEME FROM KISS

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DEBL61373189 is the International Standard Recording Code (ISRC) for the recording “LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PETER CRISS, PAUL FREHLEY, GENE SIMMONS, and others.

Format

DECountry
BL6Registrant
13Year (2013)
73189Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

PAUL FREHLEYIPIGENE SIMMONSIPIPAUL STANLEYIPI

People also ask

What is the ISRC for "LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)"?
The ISRC for "LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)" is DEBL61373189.
Who wrote "LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)"?
"LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)" was written by PETER CRISS, PAUL FREHLEY, GENE SIMMONS, PAUL STANLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61373189?

DEBL61373189 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LOVE THEME FROM KISS (KARAOKE VERSION) (ORIGINALLY PERFORMED BY KISS)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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