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ISRC

DEBL61372112

MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS

Song: MUSIKALISCHES OPFER CANON PERPETUUS

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DEBL61372112 is the International Standard Recording Code (ISRC) for the recording “MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANN SEBASTIAN BACH, RUDOLPH WERTHEN, FRANCE SPRINGUEL.

Format

DECountry
BL6Registrant
13Year (2013)
72112Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS
IPIJOHANN SEBASTIAN BACH

Related

Songwriter profiles

JOHANN SEBASTIAN BACHIPIRUDOLPH WERTHENIPIFRANCE SPRINGUELIPI

People also ask

What is the ISRC for "MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS"?
The ISRC for "MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS" is DEBL61372112.
Who wrote "MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS"?
"MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS" was written by JOHANN SEBASTIAN BACH, RUDOLPH WERTHEN, FRANCE SPRINGUEL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61372112?

DEBL61372112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MUSIKALISCHES OPFER, BWV 1079: CANON PERPETUUS”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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