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ISRC

DEBL61298990

CARELESS LOVE BLUES

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DEBL61298990 is the International Standard Recording Code (ISRC) for the recording “CARELESS LOVE BLUES”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by W.C. HANDY.

Format

DECountry
BL6Registrant
12Year (2012)
98990Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

W.C. HANDYComposer
HANDY BROTHERS MUSIC CO.,INC. OriginalPublisherIPI: 00013337224

Who publishes this song?

HANDY BROTHERS MUSIC CO.,INC.OriginalPublisher
IPI: 00013337224

Credits Graph

MLC Song Code

C14520
Verify on MLC Portal →
SourcesMLCMLC2 sources

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People also ask

What is the ISRC for "CARELESS LOVE BLUES"?
The ISRC for "CARELESS LOVE BLUES" is DEBL61298990.
Who wrote "CARELESS LOVE BLUES"?
"CARELESS LOVE BLUES" was written by W.C. HANDY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61298990?

DEBL61298990 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “CARELESS LOVE BLUES”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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