ISRC

DEBL61137966

THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]

Song: BUMPER OF MY SUV

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DEBL61137966 is the International Standard Recording Code (ISRC) for the recording “THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHELY WRIGHT.

Format

DECountry
BL6Registrant
11Year (2011)
37966Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]

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People also ask

What is the ISRC for "THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]"?
The ISRC for "THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]" is DEBL61137966.
Who wrote "THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]"?
"THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]" was written by CHELY WRIGHT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61137966?

DEBL61137966 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE BUMPER OF MY S.U.V. (KARAOKE VERSION) [ORIGINALLY PERFORMED BY CHELY WRIGHT]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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