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Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165 album cover

ISRC

DEB331264013

Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165

Song: Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod"

Fred Thomas
Released 2021-10-22

Last verified:

DEB331264013 is the International Standard Recording Code (ISRC) for the recording “Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165” by Fred Thomas, released 2021-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B33Registrant
12Year (2012)
64013Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165" by Fred Thomas?
The ISRC for "Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165" by Fred Thomas is DEB331264013.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB331264013?

DEB331264013 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165” by Fred Thomas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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