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ISRC

DEB262500325

Das Mirakel, EHWV 151, Akt II: Heiligabend im Kloster

Song: Das Mirakel, EHWV 151, Akt II

Sophie KlußmannJosette MichelerRundfunk-Sinfonieorchester BerlinSteffen Tast
Released 2025-12-05

Last verified:

DEB262500325 is the International Standard Recording Code (ISRC) for the recording “Das Mirakel, EHWV 151, Akt II: Heiligabend im Kloster” by Sophie Klußmann, Josette Micheler, Rundfunk-Sinfonieorchester Berlin, Steffen Tast, released 2025-12-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B26Registrant
25Year (2025)
00325Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Das Mirakel, EHWV 151, Akt II: Heiligabend im Kloster" by Sophie Klußmann?
The ISRC for "Das Mirakel, EHWV 151, Akt II: Heiligabend im Kloster" by Sophie Klußmann, Josette Micheler, Rundfunk-Sinfonieorchester Berlin, Steffen Tast is DEB262500325.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB262500325?

DEB262500325 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Das Mirakel, EHWV 151, Akt II: Heiligabend im Kloster” by Sophie Klußmann, Josette Micheler, Rundfunk-Sinfonieorchester Berlin, Steffen Tast. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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