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Amphitryon, VB 27: Intermède III: Que ce jour est heureux pour nous album cover

ISRC

DEB261901955

Amphitryon, VB 27: Intermède III: Que ce jour est heureux pour nous

Song: Amphitryon, VB 27: Intermède III

Bonner Kammerchorl’arte del mondoWerner Ehrhardt
Released 2019-05-03

Last verified:

DEB261901955 is the International Standard Recording Code (ISRC) for the recording “Amphitryon, VB 27: Intermède III: Que ce jour est heureux pour nous” by Bonner Kammerchor, l’arte del mondo, Werner Ehrhardt, released 2019-05-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B26Registrant
19Year (2019)
01955Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Amphitryon, VB 27: Intermède III: Que ce jour est heureux pour nous" by Bonner Kammerchor?
The ISRC for "Amphitryon, VB 27: Intermède III: Que ce jour est heureux pour nous" by Bonner Kammerchor, l’arte del mondo, Werner Ehrhardt is DEB261901955.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB261901955?

DEB261901955 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Amphitryon, VB 27: Intermède III: Que ce jour est heureux pour nous” by Bonner Kammerchor, l’arte del mondo, Werner Ehrhardt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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