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ISRC

DEB201930005

Liebe, was ist schöner als die Liebe, TWV 11:26: Aria „Unempfindlich muss man sein“

Georg PoplutzLa Stagione FrankfurtMichael Schneider
Released 2021-09-17

Last verified:

DEB201930005 is the International Standard Recording Code (ISRC) for the recording "Liebe, was ist schöner als die Liebe, TWV 11:26: Aria „Unempfindlich muss man sein“" by Georg Poplutz, La Stagione Frankfurt, Michael Schneider, released 2021-09-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
19Year (2019)
30005Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Liebe, was ist schöner als die Liebe, TWV 11:26: Aria „Unempfindlich muss man sein“" by Georg Poplutz?
The ISRC for "Liebe, was ist schöner als die Liebe, TWV 11:26: Aria „Unempfindlich muss man sein“" by Georg Poplutz, La Stagione Frankfurt, Michael Schneider is DEB201930005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB201930005?

DEB201930005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Liebe, was ist schöner als die Liebe, TWV 11:26: Aria „Unempfindlich muss man sein“" by Georg Poplutz, La Stagione Frankfurt, Michael Schneider. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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