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ISRC

DEB201616703

Viola Concerto no. 1 in F major, LorB 314: III. Rondeau

Song: Viola Concerto in F major, LorB 314: III. Rondeau

Jean-Eric SoucySWR Sinfonieorchester Baden-Baden und FreiburgBernard Labadie
Released 2018-01-01

Last verified:

DEB201616703 is the International Standard Recording Code (ISRC) for the recording "Viola Concerto no. 1 in F major, LorB 314: III. Rondeau" by Jean-Eric Soucy, SWR Sinfonieorchester Baden-Baden und Freiburg, Bernard Labadie, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
16Year (2016)
16703Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Viola Concerto no. 1 in F major, LorB 314: III. Rondeau" by Jean-Eric Soucy?
The ISRC for "Viola Concerto no. 1 in F major, LorB 314: III. Rondeau" by Jean-Eric Soucy, SWR Sinfonieorchester Baden-Baden und Freiburg, Bernard Labadie is DEB201616703.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB201616703?

DEB201616703 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Viola Concerto no. 1 in F major, LorB 314: III. Rondeau" by Jean-Eric Soucy, SWR Sinfonieorchester Baden-Baden und Freiburg, Bernard Labadie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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