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ISRC

DEB200524811

Concerto for Harpsichord, Strings & Continuo no. 7 in G minor, BMV 1058: II. Andante

Song: Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante

Lars Ulrik MortensenConcerto Copenhagen
Released 2006-01-01

Last verified:

DEB200524811 is the International Standard Recording Code (ISRC) for the recording "Concerto for Harpsichord, Strings & Continuo no. 7 in G minor, BMV 1058: II. Andante" by Lars Ulrik Mortensen, Concerto Copenhagen, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
05Year (2005)
24811Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Harpsichord, Strings & Continuo no. 7 in G minor, BMV 1058: II. Andante" by Lars Ulrik Mortensen?
The ISRC for "Concerto for Harpsichord, Strings & Continuo no. 7 in G minor, BMV 1058: II. Andante" by Lars Ulrik Mortensen, Concerto Copenhagen is DEB200524811.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB200524811?

DEB200524811 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Harpsichord, Strings & Continuo no. 7 in G minor, BMV 1058: II. Andante" by Lars Ulrik Mortensen, Concerto Copenhagen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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