ISRC

DEAD62303108

Mein liebster Jesus ist verloren, BWV 154: Choral "Meinen Jesum lass ich nicht"

Song: Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht"

Gaechinger CantoreyHans-Christoph Rademann
Released 2025-05-01

Last verified:

DEAD62303108 is the International Standard Recording Code (ISRC) for the recording "Mein liebster Jesus ist verloren, BWV 154: Choral "Meinen Jesum lass ich nicht"" by Gaechinger Cantorey, Hans-Christoph Rademann, released 2025-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
AD6Registrant
23Year (2023)
03108Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mein liebster Jesus ist verloren, BWV 154: Choral "Meinen Jesum lass ich nicht"" by Gaechinger Cantorey?
The ISRC for "Mein liebster Jesus ist verloren, BWV 154: Choral "Meinen Jesum lass ich nicht"" by Gaechinger Cantorey, Hans-Christoph Rademann is DEAD62303108.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEAD62303108?

DEAD62303108 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mein liebster Jesus ist verloren, BWV 154: Choral "Meinen Jesum lass ich nicht"" by Gaechinger Cantorey, Hans-Christoph Rademann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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