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Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling album cover

ISRC

DEA808700203

Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling

Song: Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 3 Terzett "Ich bin die erste Sängerin" (Mlle Silberklang, Mme Herz, M. Vogelsang)

Concertgebouw OrchestraNikolaus Harnoncourt
Released 1989-01-01

Last verified:

DEA808700203 is the International Standard Recording Code (ISRC) for the recording “Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling” by Concertgebouw Orchestra, Nikolaus Harnoncourt, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
87Year (1987)
00203Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling" by Concertgebouw Orchestra?
The ISRC for "Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling" by Concertgebouw Orchestra, Nikolaus Harnoncourt is DEA808700203.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA808700203?

DEA808700203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Der Schauspieldirektor, KV 486: Nr. 2. Bester Jüngling” by Concertgebouw Orchestra, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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