ISRC
Matthäus-Passion BWV 244: 1. XXVII. Aria (Soprano 1, Alto 1, Chorus 2) "So ist mein Jesus nun gefangen" / Chorus "Laßt ihn! haltet! bindet nicht! / Chorus (1,2) "Sind Blitze, sind Donner"
Song: Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
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DEA800026527 is the International Standard Recording Code (ISRC) for the recording “Matthäus-Passion BWV 244: 1. XXVII. Aria (Soprano 1, Alto 1, Chorus 2) "So ist mein Jesus nun gefangen" / Chorus "Laßt ihn! haltet! bindet nicht! / Chorus (1,2) "Sind Blitze, sind Donner"” by Christine Schäfer, Bernarda Fink, Wiener Sängerknaben, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt, released 2000-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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DEA800026527 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Matthäus-Passion BWV 244: 1. XXVII. Aria (Soprano 1, Alto 1, Chorus 2) "So ist mein Jesus nun gefangen" / Chorus "Laßt ihn! haltet! bindet nicht! / Chorus (1,2) "Sind Blitze, sind Donner"” by Christine Schäfer, Bernarda Fink, Wiener Sängerknaben, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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DEA808800201DEA800026527 is the International Standard Recording Code (ISRC) for the recording “Matthäus-Passion BWV 244: 1. XXVII. Aria (Soprano 1, Alto 1, Chorus 2) "So ist mein Jesus nun gefangen" / Chorus "Laßt ihn! haltet! bindet nicht! / Chorus (1,2) "Sind Blitze, sind Donner"” by Christine Schäfer, Bernarda Fink, Wiener Sängerknaben, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt, released 2000-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
