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Piano Concerto no. 4 in G: I. Allegro moderato [excerpt] album cover

ISRC

DEA340800645

Piano Concerto no. 4 in G: I. Allegro moderato [excerpt]

Song: Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato

Christian ZachariasStaatskapelle DresdenHans Vonk
Released 2008-01-01

Last verified:

DEA340800645 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 4 in G: I. Allegro moderato [excerpt]” by Christian Zacharias, Staatskapelle Dresden, Hans Vonk, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A34Registrant
08Year (2008)
00645Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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MLC Song Code

P01449
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What is the ISRC for "Piano Concerto no. 4 in G: I. Allegro moderato [excerpt]" by Christian Zacharias?
The ISRC for "Piano Concerto no. 4 in G: I. Allegro moderato [excerpt]" by Christian Zacharias, Staatskapelle Dresden, Hans Vonk is DEA340800645.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA340800645?

DEA340800645 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piano Concerto no. 4 in G: I. Allegro moderato [excerpt]” by Christian Zacharias, Staatskapelle Dresden, Hans Vonk. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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