Tempus Adventus et Nativitatis: Kyrie “Závišovo” / cantio Ave Trinitatis cubile album cover

ISRC

CZA169905076

Tempus Adventus et Nativitatis: Kyrie “Závišovo” / cantio Ave Trinitatis cubile

Schola Gregoriana PragensisDavid Eben
Released 1998-11-01

Last verified:

CZA169905076 is the International Standard Recording Code (ISRC) for the recording “Tempus Adventus et Nativitatis: Kyrie “Závišovo” / cantio Ave Trinitatis cubile by Schola Gregoriana Pragensis, David Eben, released 1998-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
99Year (1999)
05076Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Tempus Adventus et Nativitatis: Kyrie “Závišovo” / cantio Ave Trinitatis cubile" by Schola Gregoriana Pragensis?
The ISRC for "Tempus Adventus et Nativitatis: Kyrie “Závišovo” / cantio Ave Trinitatis cubile" by Schola Gregoriana Pragensis, David Eben is CZA169905076.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA169905076?

CZA169905076 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tempus Adventus et Nativitatis: Kyrie “Závišovo” / cantio Ave Trinitatis cubile by Schola Gregoriana Pragensis, David Eben. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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