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ISRC

CZA166603328

The Eternal Gospel, JW I/8: III. Con moto

Jadwiga WysoczanskáBeno BlachutPrague Symphony OrchestraPrague Philharmonic ChoirJiří PinkasJosef Veselka
Released 2023-08-25

Last verified:

CZA166603328 is the International Standard Recording Code (ISRC) for the recording "The Eternal Gospel, JW I/8: III. Con moto" by Jadwiga Wysoczanská, Beno Blachut, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Pinkas, Josef Veselka, released 2023-08-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
66Year (1966)
03328Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1966):
Last two digits of the reference year (1966). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Eternal Gospel, JW I/8: III. Con moto" by Jadwiga Wysoczanská?
The ISRC for "The Eternal Gospel, JW I/8: III. Con moto" by Jadwiga Wysoczanská, Beno Blachut, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Pinkas, Josef Veselka is CZA166603328.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA166603328?

CZA166603328 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Eternal Gospel, JW I/8: III. Con moto" by Jadwiga Wysoczanská, Beno Blachut, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Pinkas, Josef Veselka. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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