Sicilienne and Rigaudon in the Style of Francoeur in B Minor: I. Sicilienne album cover

ISRC

CZA161200813

Sicilienne and Rigaudon in the Style of Francoeur in B Minor: I. Sicilienne

Song: Sicilienne et Rigaudon (in the style of François Francœur)

Kateřina EnglichováJitka Hosprová
Released 2012-02-24

Last verified:

CZA161200813 is the International Standard Recording Code (ISRC) for the recording “Sicilienne and Rigaudon in the Style of Francoeur in B Minor: I. Sicilienne by Kateřina Englichová, Jitka Hosprová, released 2012-02-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

CZCountry
A16Registrant
12Year (2012)
00813Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Sicilienne and Rigaudon in the Style of Francoeur in B Minor: I. Sicilienne" by Kateřina Englichová?
The ISRC for "Sicilienne and Rigaudon in the Style of Francoeur in B Minor: I. Sicilienne" by Kateřina Englichová, Jitka Hosprová is CZA161200813.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA161200813?

CZA161200813 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Sicilienne and Rigaudon in the Style of Francoeur in B Minor: I. Sicilienne by Kateřina Englichová, Jitka Hosprová. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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