THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1 album cover

ISRC

CZA160001004

THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1

Song: KUNST DER FUGE

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CZA160001004 is the International Standard Recording Code (ISRC) for the recording "THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANN SEBASTIAN BACH, TOBIAS FORSTER.

Format

CZCountry
A16Registrant
00Year (2000)
01004Designation
Country:
ISO 3166-1 alpha-2 country code (CZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1

People also ask

What is the ISRC for "THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1"?
The ISRC for "THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1" is CZA160001004.
Who wrote "THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1"?
"THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1" was written by JOHANN SEBASTIAN BACH, TOBIAS FORSTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC CZA160001004?

CZA160001004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE ART OF FUGUE (KUNST DER FUGE), BWV 1080 : I. CONTRAPUNCTUS 1". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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